Overview of Primary and Secondary Resources
Primary Resources
Archival Records – GERMANY
BUNDESARCHIV
Record Group: 323 - Treuhandverwaltung von Kulturgut bei der Oberfinanzdirektion München
Direct link: https://invenio.bundesarchiv.de/invenio/direktlink/354da674-59a2-477f-9c9d-20da7f0840c6/
Series Number: BArch 323/1212
Title:
Reichsministerium für Volksaufklärung und Propaganda
Führerauftrag Linz “Atlanta”
Stempel: Archiv Staatliche Kunstsammlungen Dresden – Führerauftrag Linz, Nr. 12
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Verzeichnis der Gemälde aus Sammlung Schloss
Auswahl für Linz ….. Nr. 1-259
Ausgeschiedene Gemälde …. Nr. 260-280
Auswahl des Louvre, Anhang Nr. 1-48
Content:
The archival record is an inventory of all Schloss paintings that were purchased for the Sonderauftrag Linz, as well as discarded paintings and those selected by the Louvre. The undated inventory includes information on the painter, title, dimension, and, if available a bibliography and auction history as well as a commentary.
Permalink:
https://invenio.bundesarchiv.de/invenio/direktlink/478add9b-b266-423d-ac38-d7b930d7ead8/
Series Number: BArch 323/56
Title:
Dresden Katalog Slg. Schloss
Content:
The archival record is an inventory of the Schloss paintings that were acquired by the Sonderauftrag Linz. The undated inventory includes similar information as BArch 323/1212, as well as—if available—a handwritten note on the Mü (CCP Munich) number and a note that the painting was acquired in 1944.
Permalink:
https://invenio.bundesarchiv.de/invenio/direktlink/adb4f05f-3a77-4cb1-a3f6-5c3ee3f1dd88/
Series Number: BArch 323/112
Title:
Sonderauftrag Linz – Korrespondenz Reichskommissar f.d. besetzten niederländischen Gebiete (Göpel) mit Sonderauftrag Linz
Transportlisten
Gutachten, Angebote
Listen Mannheimer
1942-1944
Band VII B
Content:
The archival record holds correspondence between Göpel and Oertel regarding two additional Schloss paintings (Restbestand Schloss) that were purchased for the Sonderauftrag in March 1944. It contains additional information on Göpel’s Vienna posting from December 1944 through March 1945, including purchases via the Vienna-based auction house Dorotheum.
Permalink:
https://invenio.bundesarchiv.de/invenio/direktlink/6b41a006-7f0d-48b7-a126-e45a0c5e7abb/
Series Number: BArch 323/147
Title:
Sonderauftrag Linz; Ankäufe für Linz; Italien (über Prinz v. Hessen); Frankreich
(Slg. Dr. Fritz Mannheimer); Hauptsächlich 1944
Content:
The archival record holds correspondence between Göpel, Reimer, von Hummel, and Voss between June and September 1943. The June/July 1943 letters provide information on the early attempts to purchase the collection, including an effort to possibly trade artworks, while the September 1943 letters acknowledge the failure to hold on to the entire Schloss Collection, with some artworks falling “into other French hands.”
Permalink:
https://invenio.bundesarchiv.de/invenio/direktlink/3f3e4526-86f4-45c0-b454-7d02f14f4f94/
Series Number: BArch 323/166
Title:
Korrespondenz: Reger—Dresden; Feb. 1942—März 1944
Content:
The archival record holds correspondence between Göpel, Reimer, and Voss from September 1943 through November 1943 in which primarily Göpel reports on his work on the Schloss Collection and the preparation for the collection’s upcoming transfer to Munich. An additional letter exchange from November 1944 between Göpel and Voss refers to two discarded Schloss paintings that turned up on the art market.
Permalink:
https://invenio.bundesarchiv.de/invenio/direktlink/c8a5962d-d284-42e5-8508-9c6508578f2e/
Series Number: BArch 323/190
Title:
Auswahl von Kunstwerken aus der Sammlung Schloss für den Louvre
Content:
The archival record holds images and brief information on 36 paintings (among the 49) selected for the Louvre.
Permalink:
https://invenio.bundesarchiv.de/invenio/direktlink/306c9ccf-51d8-4f31-9a7d-36c85b50c555/
Series Number: BArch 323/333
Title:
Allgemein Führerbau Diebstähle
Verzeichnis der Gemälde aus Sammlung Schloβ, April 1945 in München, Areisstr. 12 gestohlen
Gemälde der niederländischen Schule (Holland und Flandern)
Content:
The archival record holds a list of artworks from the Schloss Collection that were stolen from the Führerbau in April 1945.
Permalink:
https://invenio.bundesarchiv.de/invenio/direktlink/a0bb504d-2d2e-4e1f-a475-499130e7fcb2/
Series Number: BArch 323/570
Title:
Verzeichnis der der Treuhandverwaltung von Kulturgut München bekanntgewordenen Restitutionen von 1945 bis 1962
Frankreich
Content:
The archival record holds a list of artworks from the Schloss Collection that were restituted, with most carrying a note that the object was among the 261 (sic: 264) paintings the Sonderauftrag Linz purchased in 1943 for 50 million francs and was received in Munich on 2 December 1943.
Permalink:
https://invenio.bundesarchiv.de/invenio/direktlink/039220f2-4b00-4237-a887-832bfe09e765/
Series Number: BArch 323/186
Title:
Verzeichnis der im April 1945 aus dem Führerbau gestohlenen Gemälde
Verzeichnis der restituierten Gemälde der Sammlung Schloss
Verzeichnis der aus der Sammlung ausgeschiedenen Gemälde
Sicherstellung von gestohlenen Gemälden aus der Sammlung Schloss
Content:
The archival record holds various inventories concerning the Schloss Collection: paintings stolen from the Führerbau, restituted paintings, discarded paintings and recovery of stolen paintings.
Permalink:
https://invenio.bundesarchiv.de/invenio/direktlink/abc13357-20e1-42d2-b424-186c3f603b0c/
Series Number: BArch 323/189
Title:
Fotografien wiederaufgefundener Gemälde der Sammlung
Content:
Photographs of Schloss paintings that were rediscovered.
Permalink:
https://invenio.bundesarchiv.de/invenio/direktlink/9186293c-4b36-40e8-9e7b-fe7bc2a223f8/
AUSWÄRTIGES AMT, POLITISCHES ARCHIV UND HISTORISCHER DIENST
Series Number:
PARIS 2480 – Sammlung Schloss, RAV 204-1/2480
Content:
The archival record holds reports and correspondence between officials at the German Embassy Paris, namely Gerlach and Schleier, as well as officials in Berlin, namely von Hummel, covering their purchase negotiations with Laval and other French representatives and eventual administration of the Schloss Collection for the Sonderauftrag Linz.
BAYERISCHES HAUPTSTAATSARCHIV
Series Number:
BayHStA, MK 60488
Content:
The archival record holds a statement by Göpel (undated, probably 1954) on his war activities, including the Sonderauftrag and Schloss Collection, and a letter by Buchner to the Bayerischem Staatsministerium für Unterricht und Kultus, München, regarding the Besetzung der freien Museumsassessorenstelle, 15 September 1954.
The archival record also holds a copy of Göpel’s telegram to Reichsleiter Martin Bormann, via the German Embassy Paris, on 26 April 1943, “Abschrift von Abschrift.”
Archival Records – FRANCE
ARCHIVES DU MINISTÈRE DE L'EUROPE ET DES AFFAIRES ÉTRANGÈRES, LA COURNEUVE
209SUP: SERVICES FRANÇAIS DE LA RÉCUPÉRATION ARTISTIQUE
Séries 1-73 Commission de récupération artistique (1944-1950)
209SUP/4 dossier 4539: dossiers de réclamations CRA
209SUP/4 39: Restitutions
Séries 90-107 Einsatzstab Reichsleiter Rosenberg (1940-1944)
209SUP/100b: 3 volumes de photocopies concernant la Collections Schloss
209SUP/105 34
209SUP/107: Archives relatives à l’ERR constituées par Rose Valland
Séries 108-213 Série A : archives de provenance diverse (CRA, SRPOA, BCR, Collecting Points...)
209SUP/117 A53
209SUP/118 A54
209SUP/147 118
209SUP/147a Carton 4d39
209SUP/147a Carton 180A
Séries 215-292 Série B : archives de provenance diverse (CRA, SRPOA, BCR, Collecting Points...)
209SUP/228: BCR
Séries 324-369 Série D : archives de provenance diverse (CRA, SRPOA, BCR, Collecting Points...)
209SUP/340 32
209SUP/340 33
209SUP/343 37
209SUP/347 41
Séries 370-555 Série P : archives de provenance diverse (CRA, SRPOA, BCR, Collecting Points...)
209SUP/372 P3
209SUP/384 P17
209SUP/387 P22
209SUP/403 P45: Collection Schloss
209SUP/404 P46
209SUP/405
209SUP/406: Cornelius Postma
209SUP/419
209SUP/480 P164
209SUP/482 P166
209SUP/482 P167: Interrogatoire Hermann Voss
209SUP/510 P200: Indemnisation BRüG
209SUP/517 P11
209SUP/527
209SUP/550 P260
Séries 556-590 Série R: Archives de provenances diverses (CRA, BCR, Collecting points…)
209SUP/572 R20
209SUP/583: Bruno Lohse
209SUP/585 R44: Hermann Göring
209SUP/586 R45
Séries 706-725 Dossiers Rose Valland (1940-1974)
209SUP/714: Documentation Rose Valland
209SUP/715: Dossier Rorimer-Schloss-Lefranc
209SUP/717: « Le Front de l’art » : notes et manuscrits préparatoires
Séries 888-909 Dossiers Rose Valland (1940-1974)
209SUP/892
209SUP/900
Séries 910-920 Divers
209SUP/920
Séries 933-1044 Albums de photographies
209SUP/1015
209SUP/1016
209SUP/1017
209SUP/1018
209SUP/1019
Séries 1100-1145 Commission de récupération artistique/Sous-commission des livres (1944-1950)
209SUP/1116
13BIP/80 dossier 32663 (ancienne OPIB Allemagne 80)
1PL/1360 (Personnel français en Allemagne et en Autriche 1945-1955)
20160007AC/1- 67 Archives versées en 2016 par la Direction des Musées de France relatives à la récupération artistique/ dossiers constitués par Marie Hamon
20160007AC_8
20160007AC_9
20160007AC_11
20160007AC_17
20160007AC_18
ARCHIVES NATIONALES (PIERREFITTE)
Z/6: Cour spéciale de la Seine
AN Z/6/3
AN_Z/6/3bis
AN Z/6/246
20144792: Les musées nationaux pendant la Seconde Guerre mondiale et l'évacuation des oeuvres
20144792/279 ancienne R32.3
20144792/280 ancienne R32.4
20144792/284 Séquestre Schenker
Sous-série 3W Haute cour de justice
AN 3W/142
Archival Records – U.S.
NATIONAL ARCHIVES AND RECORDS ADMINISTRATION (NARA), COLLEGE PARK, MD
NARA RG 226: Records of the Office of Strategic Services
NARA RG 239 M 1944: Records of the American Commission for the Protection and Salvage of Artistic and Historical Monuments in War Areas (The Roberts Commission), 1943-1946
NARA RG 260 M1921: Records of the Cultural Affairs Branch Relating to Monuments, Museums, Libraries, Archives, and Fine Arts, OMGUS, 1946-1949
NARA RG 260 M 1941:OMGUS Headquarters Records, 1938-1951
NARA RG 260 M 1946: Records concerning the Central Collecting Points (“Ardelia Hall Collection”): Munich Central Collecting Point, 1945-1951
NARA RG 260 M1947: Records Concerning the Central Collecting Points ("Ardelia Hall Collection"): Wiesbaden Central Collecting Point, 1945-1952
UNITED STATES HOLOCAUST MEMORIAL MUSEUM (USHMM), WASHINGTON, DC
RG 11.001M.82 Fond 1524: Materialien, die aus dem Puschkin-Museum übergeben wurden
RG 43.023M: Commissariat Général aux Questions juives (AJ38)
Secondary Resources
Research Databases – International
The Bundesarchiv (Federal Archives) in Germany holds the record groups NS 8 (Kanzlei Rosenberg), NS 30 (Einsatzstab Reichsleiter Rosenberg), and B 323 (Treuhandverwaltung für Kulturgut bei der Oberfinanzdirektion München). All records are available online.
Additional ERR records are available at NIOD (Institute for War, Holocaust, and Genocide Studies) ERR (Einsatzstab Reichsleiter Rosenberg) collection, covering the years 1942-1943.
The Fold 3 collection “Looted Valuables: The Holocaust Asset Collection” provides access to millions of pages from the National Archives and Records Administration of the United States. Among these records are the OMGUS Headquarter Records, 1938-1951, the Ardelia Hall Collection records concerning the Central Collecting Points (here specifically the Munich Central Collecting Point’s administrative records, photos and property cards), records of the Einsatzstab Reichsleiter Rosenberg (ERR) (Card File and Related Photographs, 1940-1945), records of the Office of Military Government, United States (OMGUS) (Records of the Cultural Affairs Branch Relating to Monuments, Museums, Libraries, Archives, and Fine Arts, OMGUS, 1946-1949), and records of the Office of Strategic Services (OSS) Records - OSS Art Looting Investigation Unit Reports, 1945-46.
Cultural Plunder by the Einsatzstab Reichsleiter Rosenberg: Database of Art Objects at the Jeu de Paume provides access to the remaining registration cards and photographs produced by the ERR covering more than 40,000 art objects taken from Jews in German-occupied France and, to a lesser extent, in Belgium. The database is a joint project of the Conference of Jewish Material Claims Against Germany and the United States Holocaust Memorial Museum with the cooperation of the German Federal Archives, the Diplomatic Archives of the Ministry of Foreign Affairs of France, the United States National Archives and Records Administration, and the Commission for Art Recovery.
The German Historical Museum (Deutsches Historisches Museum, DHM) provides three databases:
Sonderauftrag Linz (Special Commission Linz)
The Zentralinstitut für Kunstgeschichte reconstructed the stock of the Führerbau in Munich as part of its project Führerbau-Diebstahl 1945 (Führerbau Theft 1945). The 2019 report, entitled “Reconstruction of the ‘Führerbau theft’ at the end of April 1945 and research on the whereabouts of the objects” [Rekonstruktion des ‘Führerbau-Diebstahls’ Ende April 1945 und Recherchen zum Verbleib der Objekte Summarischer Projektbericht], includes two appendices: 1. “List of objects that were apparently stolen from the ‘Führerbau’ at the end of April 1945 and are still missing or have resurfaced but have not been restituted,” and 2. “List of objects that were apparently stolen at the end of April 1945 stolen from the ‘Führerbau’ (or from the “Verwaltungsbau”), later found and brought to the CCP Munich.”
The Annotated Online Edition of Three of Hans Posse’s Five Travel Diaries (1939-1942), the first director of the Sonderauftrag Linz, is a joint project by the German Lost Art Foundation and the Germanisches Nationalmuseum in Nuremberg.
Weltkunst, a journal of the German and international art market, is partially available online, covering the years 1931 until 1944, and featuring auctions in Germany, Switzerland and Austria.
The RKD, Netherlands Institute for Art History, provides access to a number of online databases, including on artists, collections and archives.
The Getty Provenance Index Databases by the Getty Research Institute provides access to the following resources:
German Sales Catalogs (1930-1945) covering bibliographic information on more than 2,000 German Sales Catalogs published between 1930 and 1945;
The Sales Catalogs Files covering countries such as Belgium, France, Germany, Great Britain, the Netherlands, and Scandinavia from 1650 to 1945.
The Lost Art database administered by the German Lost Art Foundation lists cultural objects that were relocated, moved, or seized, especially from Jewish owners, during the Holocaust. Lost Art also provides information on cultural objects with provenance gaps located in Finland, Israel, Luxembourg, Austria, and Switzerland, as well as objects sought by Italy, Austria, Poland, the Czech Republic, and the Ukraine.
Entartete Kunst database (Degenerate Art database) has been published by the Freie Universität Berlin.
The Victoria & Albert Museum (V&A) in London holds the only known copy of a complete inventory of “Entartete Kunst” confiscated by the Nazi regime from public institutions between 1937 and 1938. The list, with more than 16,000 entries, was produced by the Reichsministerium für Volksaufklärung und Propaganda (Reich Ministry for Public Enlightenment and Propaganda) in 1942.
The Central Registry of Information on Looted Cultural Property 1933-1945 created an object database, which contains details of more than 25,000 objects of all kinds—paintings, drawings, antiquities, Judaica, etc—looted, missing and/or identified from over fifteen countries.
IFAR, the International Foundation for Art Research, provides access to several Catalogues Raisonnés.
The Art Loss Register maintains a database of stolen art, antiques and collectables.
The International Research Portal for Records Related to Nazi-Era Cultural Property (https://irp2.ehri-project.eu/) is an online research tool that provides information on archival holdings at 17 institutions worldwide; see: https://irp2.ehri-project.eu/resources. Among these institutions are several of relevance for the pilot project:
Research Databases – France
The French Foreign Ministry maintains a database of artworks stolen from and later restored to the Schloss family.
The French Ministry of Culture (Directorate of Museums) maintains a database of approximately 2,000 MNR (Site Rose-Valland, Musées nationaux Récupération) artworks, stolen from French Jews by the Nazis, that remain in the custody of French museums.
The Louvre provides online access to its collection, including more than 1,700 MNR works.
The Commission for the Compensation of Victims of Spoliation (CIVS) provides access to the TED (= tableau et dessin) database that lists paintings and drawings mentioned in files submitted by families to the CIVS. In the specific case of collections spoliated by the ERR or MNR works, the data in the files have been supplemented by information from the corresponding websites.
The Fondation Custodia is an electronic resource that enables research of provenance markings in the form of stamps on drawings, printed graphics and in books.
The Bibliothèque de l’Institut National d’Histoire de l’Art provides an online listing of 7,821 French auction catalogs, including of the Hôtel Drouot, Paris.
The Mémorial de la Shoah provides partial online access to its archives, including its victims database—a listing of names of Jews deported from France as well as of those who died in internment camps in France, internees and victims of executions, as well as the database of Jewish members of the resistance listed by the Association des Anciens de la Résistance Juive en France (ARJF-OJC).
For an overview of additional and country specific research databases, see: http://art.claimscon.org/resources/overview-of-worldwide-looted-art-and-provenance-research-databases/
Catalogue Raisonnées/ Exhibition Catalogues/ Other Publications
Ainsworth, Maryan W, Stijn Alsteens, Nadine M. Orenstein et al. Man, myth, and sensual pleasures: Jan Gossart's Renaissance: the complete works. New York: Metropolitan Museum of Art, 2010.
Ainsworth, M. W. Petrus Christus. Renaissance Master of Bruges. New York: The Metropolitan Museum of Art, 1994.
Apraxine, Pierre. Leven en werk van Roger de le Pasture van der Weyden: Doornik 1399 - Brussel 1464. Bergen: Féderation du Tourisme de la Province de Hainaut, 1982.
Barnes, Susan J. Millar, Oliver. Poorter, Nora de and Horst Vey. Van Dyck: A Complete Catalogue of the Paintings. Catalogue Raisonné. New Haven: Yale University Press, 2014.
Bassett, Laura Michelle. The paintings and career of Cornelis de Man: Art and mercantile culture in seventeenth-century Delft. Ann Abor: Lit. opg. - Proefschrift Univ. Michigan, 2003.
Bayle, Françoise. Vélasquez: le peintre du Siècle d'or. Gennevilliers: Geo Art, 2019.
Baer, Ronni, Arthur K. Wheelock (jr.) and Annetje Boersma. Gerrit Dou 1613-1675: master painter in the age of Rembrandt. Washington DC: National Gallery of Art, 2000.
Beck, Hans-Ulrich and Wolfgang Stechow. Jan van Goyen: 1596-1656: ein Oeuvreverzeichnis. 4 vols. Amsterdam: Van Gendt, 1972-1991.
Beer, Gerline de. Ludolf Backhuysen (1630-1708): sein Leben und Werk. Zwolle: Waanders, 2002.
Beherman, Thierry. Godfried Schalcken. Paris: Maeght, 1988.
Bernd Ebert, Cécile Tainturier, and Quentin Buvelot (eds.). Jacobus Vrel. Looking for clues of an enigmatic painter. Berlin: Hirmer Publishers, 2021.
Bertier de Sauvigny, Reine de. Jacob et Abel Grimmer Catalogue Raisonné. Bruxelles: Renaissance du Livre, 1991.
Bernstrom, John and Bengt Rapp. Malningar av I.Jan Fyt, II.Abraham van Beijeren, III.Isaack van Duijnen, IV.Michiel Simons, V.Giuseppe Recco, VI.Edwaert Colyer och VII.Charles Field. Stockholm: Rapp, Klaus, 1957.
Biesboer, Pieter. Nicolaes Berchem: in light of Italy. Ghent: Ludion, 2006.
Biesboer, Pieter (ed.), Friso Lammertse, Fred G. Meijer. Salomon, Jan, Joseph en Dirck de Bray: vier schilders in één gezin. Zwolle: Waanders, 2008.
Bode, Wilhelm von. The complete work of Rembrandt history, description and heliographic reproduction of all the master's pictures: with a study of his life and his art. 8 vols. Paris: Charles Sedelmeyer, 1897-1907.
Bode, Wilhelm von. Adriaen Brouwer, sein Leben und seine Werke mit 130 abbildungen. Berlin: Euphorion, 1924.
Bode, Wilhelm von. The collection of pictures of the late Herr A. de Ridder, formerly in his villa at Shœnberg near Cronberg in the Taunus. New York: F. Kleinberger Galleries, 1913.
Bode, Wilhelm and A. Bredius. “Esaias Boursse: ein Schüler Rembrandts”. Jahrbuch der köninlich Preuszischen Kunstsammlungen. Heft IV. 1905. p. 213 (ill.)
Bol, Laurens J. Zee-, rivier- en oevergezichten: Nederlandse schilderijen uit de zeventiende eeuw. Dordrecht: Dordrechts Museum, 1964.
Bol, Laurens J. The Bosschaert Dynasty: Painters of Flowers and Fruit. Leigh-on-Sea: Lewis, 1960.
Bourg, Alexis Merle du. Jordaens 1593-1678. Paris: Paris Musées, 2013.
Boström, Kjell. Benjamin Cuyp [Boström]. Stockholm: [s.n.], 1944.
Buijnsters-Smets, L. Jan Massys. Een Antwerps schilder uit de zestiende eeuw. Zwolle: Waanders, 1995.
Buijsen, Edwin. “The rise and fall of human life in a series of paintings by Adriaen van der Venne.” Oud Holland. 126. 2/3. 2013. 64-65. RKD. https://rkddb.rkd.nl/rkddb/digital_book/18750176_126_02-03_s001_text.pdf
Bücken, Véronique. Ingrid De Meûter. Bernard van Orley. Bruxelles: Bozar Books, Pierre Mardaga, 2019.
Buma, Johannes Herman. François Ryckhals 1609-1647: een schilderende magiër uit Middelburg: 'Ryck in als'. Goes: De Koperen tuin, 1994.
Burger-Wegener, Catja. Johannes Lingelbach 1622-1674. Disseration. Berlin, 1976.
Burke, James D. Jan Both: Paintings, Drawings and Prints. New York [etc.]: Garland Publishing, 1976.
Blankert, Albert. Ferdinand Bol 1616-1680: een leerling van Rembrandt = Ferdinand Bol 1616-1680 : Rembrandt's pupil. Lit. opg. - Proefschrift Rijksuniversiteit Utrecht, 1976. [Sl] : [sn], 1976.
Blankert, Albert. Hendrick Avercamp 1585-1634, Barent Avercamp 1612-1679: frozen silence: paintings from museums and private collections. Amsterdam: Aquarius, 1982.
Blankert, Albert. Ferdinand Bol (1660-1680), Rembrandt’s Pupil. Doornspijk: Davaco, 1982.
Braun, Hermann. Gerard und Willem van Honthorst. Göttingen: [s.n.], 1966.
Braun, Karel. Alle tot nu toe bekende schilderijen van Jan Steen. Rotterdam: Lekturama, 1980.
Brieérse-Misme, Clothide. “Un Intimiste hollandaise, Esaias Boursse 1631-1672”. Oud-Holland. 69. 1954. 150-151.
Brière-Misme, Clothilde. "Un 'intimiste' hollandais, Jacob Vrel". Revue de L'Art Ancien et Moderne. Nov-Dec. 1935. 160-162, fig.15.
Bréton, Etienne and Pascal Zuber. Louis-Léopold Boilly (1761-1845). Le Peintre de la Société Parisienne de Louis xvi à Louis-Philippe: Le peintre de la société parisienne de Louis XVI à Louis-Philippe. 2 vols. Paris: Arthena, 2019.
Broulhiet, Georges. Meindert Hobbema (1638-1709): ouvrage illustré de 590 grandes reproductions photographiques dont 450 tableaux du maître et plus de cent détails, reproductions de tableaux de maîtres voisins et d'imitations exécutées en phototypie. Paris: Firmin Didot, 1938.
Brown, Christopher. Carel Fabritius: complete edition with a catalogue raisonné. Oxford: Phaidon, 1981.
Bruyn, Josua, B. Haak, S.H. Levie, Pieter J.J. van Thiel, and Ernst van de Wetering. A corpus of Rembrandt paintings. 6 vols. Dordrecht, Boston, Lancanster: Nijhoff, Springer, 1982-2017.
Chapman, H. Perry. Jan Steen: Painter and Storyteller. Zwolle: Waanders, 1996.
Clippel, K. de. Joos van Craesbeeck (1605/06- ca. 1660): een brabants genreschilder. Turnhout: Brepols, 2006.
Chong, Alan. Aelbert Cuyp and the meanings of landscape. Dissertation. New York: Ann Arbor, 1994.
Daalder, Remmelt. Van de Velde & Son, marine painters: the firm of Willem van de Velde the Elder and Willem van der Velde the Younger, 1640-1707. Leiden: Primavera Pers, 2016.
Duparc, Frederik, Quentin Buvelot. Philips Wouwerman, 1619-1668. Kassel: Museumlandschaft Hessen Kassel; Munich: Hirmer, 2009.
Davies, Martin. Rogier van der Weyden: An Essay, with a Critical Catalogue of Paintings Assigned to Him and to Robert Campin. London: Phaidon, 1972.
Davies, Alice I.; Duparc, F.J. (in collab. with): Allart van Everdingen 1621-1675. First Painter of Scandinavian Landscape. Thornspijk: Davaco, 2001.
Davies, Alice I. The drawings of Allart van Everdingen: a complete catalogue, including the studies for Reynard the Fox. Thornspijk: Cavaco, 2007.
De Herdt, René. Een Hollands soldaat penseelt Gent: uit de atlas Goetghebuer: akwarellen van Jan Joseph Wynants in het Stadsarchief te Gent. Gent: Stichting Mens en Kultuur, 1989.
De Witt, David. Abraham van Dijck (c. 1635-1680): Life and work of a late Rembrandt pupil. Zwolle: WBooks, 2020.
Donahue Kuretsky, Susan. The paintings of Jacob Ochtervelt (1634-1682), with catalogue raisonné. Montclair: Allanheld & Schram, 1979.
Dirck Stoop, 1618-1686: plain stroke, faithful eye. [author/publisher/date unknown]
Dony, Frans L.M. and Karel Braun et al. Frans Hals: Alle tot nu toe bekende schilderijen van Frans Hals. Rotterdam: Lekurama, 1976.
Dubois de Groër, Anne. Corneille de La Haye dit Corneille de Lyon (1500/1510-1550). Paris: Arthena, 1996.
D’Hulst, Roger-A. Rubens: The Old Testament. London: Harvey Miller, 1989.
Ducos, Blaise. Frans Pourbus le Jeune (1569-1622): le portrait d'apparat à l'aube du Grand Siècle entre Habsbourg, Médicis et Bourbons. Dijon: Faton, 2011.
Ekkart, R. E. O. Johannes Cornelisz. Verspronck: leven en werken van een Haarlems portretschilder uit de 17-de eeuw. Haarlem: Frans Halsmuseum, 1979.
Ertz, Klaus. Jan Brueghel the elder: a loan exhibition of paintings. London: Brod Gallery, 1979.
Faucheux, LE. Catalog raisonné de toutes les estampes qui forment l'oeuvre gravé d'Adrien van Ostade. Paris: Renouard, 1862.
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Sedelmeyer, Charles. Illustrated Catalogue of the fourth Series of 100 Paintings by Old Masters of the Dutch, Flemish, Italian, French and English Schools Schools belonging to the Sedelmeyer Gallery. Paris: Sedelmeyer Gallery, 1897.
Sedelmeyer, Charles. Illustrated catalogue of 300 paintings by old masters of the Dutch, Flemish, Italian, French, and English schools, being some of the principal pictures which have at various times formed part of the Sedelmeyer Gallery. Paris: Sedelmeyer Gallery, 1898.
Sedelmeyer, Charles. Illustrated Catalogue of the fifth Series of 100 Paintings by Old Masters of the Dutch, Flemish, Italian, French and English Schools Schools belonging to the Sedelmeyer Gallery. Paris: Sedelmeyer Gallery, 1899.
Sedelmeyer, Charles. Illustrated Catalogue of the sixth Series of 100 Paintings by Old Masters of the Dutch, Flemish, Italian, French and English Schools belonging to the Sedelmeyer Gallery. Paris: Sedelmeyer Gallery, 1900.
Sedelmeyer, Charles. Illustrated Catalogue of the seventh Series of 100 Paintings by Old Masters of the Dutch, Flemish, Italian, French and English Schools belonging to the Sedelmeyer Gallery. Paris: Sedelmeyer Gallery, 1901.
Sedelmeyer, Charles. Illustrated Catalogue of the eighth Series of 100 Paintings by Old Masters of the Dutch, Flemish, Italian, French and English Schools belonging to the Sedelmeyer Gallery. Paris: Sedelmeyer Gallery, 1902.
Sedelmeyer, Charles. Illustrated Catalogue of the ninth Series of 100 Paintings by Old Masters of the Dutch, Flemish, Italian, French and English Schools belonging to the Sedelmeyer Gallery. Paris: Sedelmeyer Gallery, 1905.
Sedelmeyer, Charles. Illustrated Catalogue of the tenth Series of 100 Paintings by Old Masters of the Dutch, Flemish, Italian, French and English Schools belonging to the Sedelmeyer Gallery. Paris: Sedelmeyer Gallery, 1906.
Sedelmeyer, Charles. Illustrated Catalogue of the eleventh Series of 100 Paintings by Old Masters of the Dutch, Flemish, Italian, French and English Schools belonging to the Sedelmeyer Gallery. Paris: Sedelmeyer Gallery, 1911.
Sedelmeyer, Charles. Illustrated Catalogue of the twelfth Series of 100 Paintings by Old Masters of the Dutch, Flemish, Italian, French and English Schools belonging to the Sedelmeyer Gallery. Paris: Sedelmeyer Gallery 1913.
Secrest, Meryle. Duveen: A Life in Art. New York: Knopf, 2004.
Segal, Sam, and Klara Alen, Dutch and Flemish Flowers. Paintings, Drawings and Prints up to the Nineteenth Century. 2 vols. Leiden/Boston: Brill, 2020.
Silver, Larry. Peasant Scenes And Landscapes: The Rise of Pictorial Genres in the Antwerp Art Market. Philadelphia: University of Pennsylvania Press, 2005.
Stroesser-Johnston, Alison. Van Dyck's Hosts in Genoa: Lucas and Cornelis de Wael's Lives, Business Activities and Works. Turnhout: Brepols, 2018.
Spieth, Darius A. and Marc Fumaroli. Revolutionary Paris and the Market for Netherlandish Art. Leiden, Boston: Brill, 2018.
Sokolva, Irina. The Russian Passion for Dutch Painting of the Golden Age: The Collection of Pyotr Semenov and the Art-Market in St Petersburg, 1860-1910. Leiden, Boston: Brill, 2015.
Sluijter, Eric Jan. Rembrandt's Rivals: History Painting in Amsterdam 1630-1650. Amsterdam: Benjamins, 2015.
Smith, John. A catalogue raisonné of the works of the most eminent Dutch, Flemish, and French painters; in which is included a short biographical notice of the artists, with a copieus description of their principal pictures. 9 vols. London: Smith and Son, 1829-1842.
Sterk, J. Philips van Bourgondië (1465-1524): bisschop van Utrecht als protagonist van de renaissance, zijn leven en maecenaat. Zutphen: Walburg Pers. 1980.
Stourton, James and Charles Sebag-Montefiore. The British as Art Collectors: From the Tudors to the Present. London: Scala, 2012.
Tummers, Anna and Koenraad Jonckheere (ed.). Art Market and Connoisseurship: A Closer Look at Paintings by Rembrandt, Rubens and Their Contemporaries. Amsterdam: Amsterdam University Press, 2008.
Turner, Jane (ed.). The Dictionary of Art. 34 vols. New York: Grove, 1996.
Turpin, Adriana and Susan Bracken. Art Markets, Agents and Collectors: Collecting Strategies in Europe and the United States, 1550-1950. London: Bloomsbury Publishing, 2021.
Thieme, Ulrich and Felix Becker. Allgemeines Lexikon der bildenden Künstler: von der Antike bis zur Gegenwart. 37 vols. Leipzig: Seemann, 1907-1950.
Vermeylen, Filip. Painting for the Market: Commercialization of Art in Antwerp's Golden Age. Turnhout: Brepols, 2003.
Warren, Jeremy and Adriana Turpin (ed.). Auctions, Agents and Dealers: The Mechanisms of the Art Market 1660-1830. Oxford: Beazley Archive, 2007.
Willigen, Adriaan van der (1766-1841) and Fred G. Meijer. A Dictionary of Dutch & Flemish Still Life Painters Working in Oils: 1525-1725. Leiden: Primavera, 2003.
Wurzbach, Alfred von. Arnold Houbraken's grosse Schouburgh der niederländische Maler und Malerinnen. Vienna: Braumüller, 1880.
Whittaker, Cynthia Hayla. “Catherine the Great and the Art of Collecting: Acquiring the Paintings that Founded the Hermitage.” Word and Image in Russian History. Academic Studies Press: 2019. 147-171.
Museum Collections/Private Collection Publications
Babkin, Valery and Vadim Sadkov. My Dutch collection: Pieter de Bloot, Quiringh Gerritsz. van Brekelenkam, Jasper Broers, Hendrik van der Burgh, Erasmus Quellinus the younger, Reynier van der Laeck, Christoph van der Lamen, Carel de Moor, Peter Neefs the elder, Peter Neefs the younger, Jan Jacobsz. van der Stoffe, Mathys Schoevaerdts, Peter Tillemans, johann Willem Franck, Mattheus van […]. Moscow: Red Square, 2005.
Biesboer, Pieter and Neeltje Köhler. Painting in Haarlem 1500-1850: The collection of the Frans Hals Museum. Ghent: Ludion, 2006.
Büttner, Philippe, Claire Hoffmann and Lukas Gloor. Ein goldenes Zeitalter: Holländische und flämische Gemälde aus einer privaten Sammlung. Zürich: Kunsthaus Zürich, Scheidegger & Spiess, 2015.
Catalogue of the paintings, drawings and miniatures in the Barber Institute of Fine Arts, University of Birmingham. Cambridge: University Press, 1952.
Carman, J. Dutch painting of the seventeenth century. Nederlandse skilderkuns van die 17de eeu. Johannesburg: Johannesburg Art Gallery, 1988.
Duparc, Frederick J. (ed.). Golden: Dutch and Flemish Masterworks from the Rose-Marie and Eijk van Otterloo Collection. New Haven/London: Yale University Press, 2011.
Foucart, Jacques. Catalogue des peintures flamandes et hollandaises du musée du Louvre. Paris: Gallimard, 2009.
Kreul, Andreas. Kunsthalle Bremen: Verzeichnis sämtlicher Gemälde. Wiesbaden: Harrassowitz, 1994.
Pauwels, Henri (ed.) Inventariscatalogus van de oude schilderkunst. Brussel: Koninklijke Musea voor Schone Kunsten van België, 1984.
Pijl, Luuk (ed.). Van Cuyp tot Rembrandt: de verzameling Cornelis Hofstede de Groot. Groningen: Groninger Museum, 2005.
Posada Kubissa, Teresa. Pintura holandesa en el Museo Nacional del Prado : catálogo razonado. Madrid: Museo Nacional del Prado, 2009.
Postma, Esmee, Sabine Terra and Sandra Kisters (eds.) Best of Boijmans: hoogtepunten uit de collectie van Museum Boijmans Van Beuningen. Rotterdam: Museum Boijmans Van Beuningen, 2020.
Rostworowski, Marek. Nowe nazwiska malarzy Holenderskich w Galerii Czartoryskich Muzeum Narodowego w Krakowie. Cracow: [s.n.], 1960.
Scott, Allan. Davide Gasparotto, Peter Björn Kerber, and Anne T. Woollett. Masterpieces of Painting: J. Paul Getty Museum. Los Angeles: J. Paul Getty Museum, 2018.
The J. Paul Getty Museum Handbook of the Collections. 6th ed. Los Angeles: J. Paul Getty Museum, 2001.
The museumbook: highlights of the collection: Koninklijk Museum voor Schone Kunsten Antwerpen. Gent: Snoeck, 2003.
Thiel, Pieter J.J. van. All the paintings of the Rijksmuseum in Amsterdam: a completely illustrated catalogue. Amsterdam: Rijksmuseum, 1992.
Vergeest, Aukje, Jori Zijlmans, Meta Knol and Caren Apers (eds.). Museum De Lakenhal: gebouw, geschiedenis, collectie. Rotterdam, Leiden: NAi, Museum De Lakenhal, 2019.
Vries, Sandra de. De zestiende- en zeventiende-eeuwse schilderijen van het Stedelijk Museum Alkmaar: collectie-catalogus. Alkmaar: Stedelijk Museum Alkmaar, 1997.